Category: Sex Symbols

Sex symbols of our past, present and future.

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Hollywood, Broadway & More! Memorial Miscellaneous Sex Symbols

Keith’s Theatre, 6/1/25

(Love those old magazines, don’t ’cha know…)

As I thumbed through the pages of my collection of hard copy media this week, I found a few fun pages to share from my October 1925, edition of “Motion Picture” magazine.

Mae Murray was clearly in the spotlight that year since the MGM film, The Merry Widow, had been released and was performing quite well at the box office.  A full-page ad for the popular film, directed by Eric von Stroheim, starring Mae Murray and John Gilbert, is found on page 7. 

At the time, the magazine featured “Our Portrait Gallery,” and many photographs are found therein, including one of popular comedian, Charlie Chaplin, as well as Phyllis Haver, a leading silent actress of the day.

Charlie Chaplin, the “Little Tramp”
Phyllis Haver

On page 22, we encounter handsome leading man, Rod La Rocque letting readers know what the well-dressed man will wear this autumn.  Leatrice Joy, a beautiful leading lady of that era, does the same for women on page 23, as she sports some of the latest 1925 fall designs.  Miss Joy was well known for her extravagant fashion sense and was rarely upstaged by any other star, apart from Gloria Swanson. 

Rod La Rocque
Leatrice Joy

Page 28 gives us popular leading man Richard Dix, showing his plethora of actor’s “emotions.”  Dix was more noted for his rugged good looks and physique, and less so for his histrionics. 

Pretty obvious, wouldn’t you say?

Silent heartthrob, Richard Dix, “emoting”

On page 32, “Mae Murray Tells Her Great Secret.” We are promised by writer, Homer Currie, that Mae will reveal her life plan and her philosophy – the very one that ensured her the enormous success she’d achieved as an actress.

Slobbering in on page 41 is the new St. Bernard pooch called Robin Hood, at the Pickfair estate, where actress Mary Pickford resided at the time with her actor husband, Douglas Fairbanks.  Their estate hosted all sorts of entertainment and political celebrities from around the globe, and occasionally, even royalty would pop in.

You recall hearing about the Pickfair estate, don’t you? Wannabe actress and singer, Pia Zadora (of Santa Claus Conquers the Martians fame), had it bulldozed to the ground, don’t ’cha know…

Mary Pickford, queen of the Pickfair estate, with “Robin Hood” the St. Bernard

The feature from page 69 has one Mrs. William E. Borah, wife of the senator from Idaho, giving her skin care secrets.  Guess what, ladies? She uses Pond’s cold cream and vanishing cream.  FYI, they’re still available!

A few pages later, on page 77, we find an advertisement for “Pum-Kin” rouge, which was all the rage back in the day.  My very own grandmother used rouge, which was applied oh-so-sparingly with its own little cosmetic puff (although a lot of women just used a wadded-up cotton ball, as I recall).

Why was it used so sparingly, you ask? Because it was easy to “misinterpret the situation,” should one apply it a bit to liberally!

Got the picture? Women would sometimes end up looking like “sl*ts.”

Probably going to get all kinds of hassles for that little remark by my lady friends, don’t ’cha think?

Page 118 brings us to the free bottle offer from “Mary T. Goldman’s Hair Color Restorer.”  We are asked to write to Mary T. Goldman, 493-L Goldman Building, St. Paul, Minn., for the free sample of hair dye.  Notice how there is no zip code given.  This predates zip code usage, even the 2-digit zone code period of my youth.

And finally, the back cover ad for Palmolive bar soap is found.  At the bottom of the page, we read that “Palmolive Soap is untouched by human hands until you break the wrapper – it is never sold unwrapped.”

Until next time…

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Hollywood, Broadway & More! Memorial Miscellaneous Sex Symbols

Keith’s Theatre, 5/17/25

Popularity can be a very transitory beast and public tastes can change, in the rapid blink of an eye or as quickly as a photographer’s flash, don’t ’cha know….

It’s history constantly repeating itself, hoping we’ll eventually learn our lesson, though we rarely listen.

You see, the public is fickle.

That old truism came to life again this week as I watched someone gloat over their YouTube subscriber rate and number of video views, versus their competitor who’s in the same niche market.  Mr. X just had to rub it in real good and make himself feel like the virtual king, presiding over his adoring and loyal subjects…

Of course, they’ll always be there!

Or will they?

There’s a cavalcade of has-beens who’ll attest to the public’s fickle nature, and many are just screaming, some from the grave, “You’re only as good as your last performance!”

Let’s take a look at a few of yesterday’s stars that regrettably ended up on the has-been compost heap.

1925: Mae Murray (1889 – 1965) stars as dancer Sally O’Hara in the film ‘The Merry Widow’, directed by Erich Von Stroheim for MGM.

First up on my list of forgotten ones is the divine one herself, Mae Murray (aka Princess Mdivani of Georgia), who for almost two decades was both a Ziegfeld Follies as well as a silent picture star.  Mae thought she’d always be on top and when her beauty faded, so did she…into veritable oblivion.  Mae did make some memorable films though, including director Erich von Stroheim’s 1925 film interpretation of the Franz Lehar opera, The Merry Widow, which sealed Mae’s fate as one of the loveliest actresses to ever grace the screen.  FYI, the video is available in its entirety on YouTube.

Langdon with Joan Crawford in 1927 film “Tramp, Tramp, Tramp”
Harry Langdon, aka “The Baby”

Next up is one of the great silent comedians, Harry Langdon (1884-1944), who’s not very well-remembered today, but for a moment in Hollywood history, was a household name.  Langdon’s trademark baby face was perfect for close-ups and led to starring roles in three silent films which many now consider masterpieces, The Strong Man (1926), Tramp, Tramp, Tramp (1926), and Long Pants (1927).  Langdon had a unique quality that lent itself perfectly to evoking pathos on the silent screen and his films retain their original magic even today.  

England’s very own “Blonde Bombshell”
Miss Diana Dors

Diana Dors (1931-1984), born Diana Mary Fluck, was England’s answer to the 1950s blonde bombshell craze that included the likes of Brigitte Bardot, Marilyn Monroe, Jayne Mansfield, and Mamie van Doren (FYI, Mamie will be the subject of a future Keith’s Theatre post). 

When Diana Dors’ name comes up today, most people ask, “Diana who?”  At one time, though, Miss Dors was exceptionally hot property and even after her celebrity star dimmed, she managed to self-actualize the sexual nature of life through her extracurricular activities, which involved hidden movie cameras at X-rated adult parties she hosted.  For a full account of Diana Dors’ shenanigans, her Wikipedia biography is here:  https://en.wikipedia.org/wiki/Diana_Dors

Handsome, hunky actor Larry “Buster” Crabbe

Last up on our list of has-beens is none other than Hollywood mega hunk, Buster Crabbe (1908-1983), who is probably best remembered as Flash Gordon, Buck Rogers or Billy the Kid in film serials during the 1930s and 40s.  Crabbe, a former Olympic gold medal swimmer, was catapulted into the acting profession as a result of his sports ability, a story that still resonates today.  Buster Crabbe’s Wikipedia biography is posted here:  https://en.wikipedia.org/wiki/Buster_Crabbe

Yes, the public is fickle.  Here today, gone tomorrow!

Until next time…

Categories
Hollywood, Broadway & More! Memorial Miscellaneous Sex Symbols

Keith’s Theatre, 5/10/25

(Silent star from the past materializes out of thin air!)

As someone matures, they start a mysterious rewinding process, much like birth-in-reverse, and ghosts from the past leap out of every nook and cranny.

This week, I was visited by the spirit of the former Ziegfeld Follies and silent screen star, Olive Thomas, who appeared out of thin air with former husband, Jack Pickford, close by her side.  To be perfectly frank (as well as very prima-donnish), the entire experience was completely overwhelming, and I shan’t recover anytime soon.

Olive Thomas, unfortunately, met an early demise in Paris, France in 1920, after swallowing poison, which ultimately resulted in her death on September 10th.  Her beauty had been the inspiration for artist Alberto Vargas’ work called “Memories of Olive,” and the piece was prominently displayed in the lobby of a New York Ziegfeld theatre for years, before being later sold to an art collector.

“Memories of Olive,” 1920 by Alberto Vargas

 Olive Thomas had once been married to actress Mary Pickford’s brother, Jack, and many believe her husband’s drinking, drug use and philandering drove her to take poison (mercury bichloride) in the early morning hours of September 6, 1920.  Also vacationing with the couple in Paris at the time of Thomas’ death on September 10th, was her close friend, actress and former Ziegfeld star, Mae Murray.

Jack Pickford was best remembered for his starring role in the 1917 silent version of Tom Sawyer, as well as its 1918 sequel, Huck and Tom.  He eloped with Olive Thomas in 1916 and by most accounts, their relationship was tumultuous until Olive’s eventual death from ingesting poison on September 6, 1920.  That death, incidentally, was eventually ruled accidental, but many consider it to be suicide.

Olive Thomas, the great beauty of the silent screen
Olive Thomas & friend
Olive Thomas’ husband, Jack Pickford, brother to Mary Pickford

So felt Mae Murray, who’d been in close contact with Olive at the time and implicated Jack Pickford for Olive’s death.  According to the Michael Ankerich book, “Mae Murray, the Girl with the Bee-Stung Lips,” Mae later wrote, “I tried to feel tolerant and understanding toward Jack, who had broken my friend’s heart because he had been himself and therefore was unlike what she wanted him to be. But I could not trust myself with him. No matter how humble and remorseful Jack would have been – and I’m sure that he was intensely so – I could not risk hurting him more.”

Mae Murray in a revealing negligée
Mae Murray, 1924, as “Circe the Enchantress”

Frances Marion, who was a popular screenwriter during the silent era, said of the Olive Thomas and Jack Pickford relationship, “I had seen her often at the Pickford home, for she was engaged to Mary’s brother, Jack. Two innocent-looking children, they were the gayest, wildest brats who ever stirred the stardust on Broadway. Both were talented, but they were much more interested in playing the roulette of life than in concentrating on their careers.”

Kind of sounds like my shenanigans as I terrorized San Francisco during the 1980s and 90s… don’t ’cha know.

Until next time…

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Hollywood, Broadway & More! Memorial Miscellaneous Sex Symbols

Keith’s Theatre 5/4/2025

(More artists from the past appear out of nowhere!)

As someone matures, they start a mysterious rewinding process, much like birth-in-reverse, and ghosts from the past leap out of every nook and cranny.

This week, I was visited by the spirit of artist, Alberto Vargas, who’d suddenly returned to life. 

I’ve always liked this artist’s work, yet the gallery chain where I worked for many years, Dyansen, handled several commercial artists but not Vargas’ art.  Alberto Vargas by this time had achieved worldwide notoriety and was attracting the attention of art collectors worldwide.

Joaquin Alberto Vargas y Chávez was born on February 9, 1896, in Arequipa, Perú, the son of a well-known Peruvian photographer.  Vargas, considered one of the leading pin-up girl illustrators and artists, perfected the use of watercolors, often in combination with the airbrush, during his lifetime. 

From January, 1941 “Esquire” magazine

Vargas had been employed early in his career by showman, Florenz Ziegfeld.  Vargas painted one of Ziegfeld stars, Olive Thomas, and the work was prominently displayed in the lobby of a New York Ziegfeld theatre for years, before being sold to a private collector. 

“Memories of Olive” by Alberto Vargas, 1920

Olive Thomas, in addition to being a Ziegfeld Follies star, had once been unhappily married to actress Mary Pickford’s brother, Jack, and many believe her husband’s drinking, drug use and philandering drove her to take poison in the early morning hours of September 6, 1920.  Also vacationing with her in Paris at the time of her death on September 10th, was her close friend, as well as former Ziegfeld Follies star, Mae Murray. 

Olive Thomas, Ziegfeld Follies star
Jack Pickford, Mary’s brother
Former Ziegfeld Follies star & friend of Olive Thomas, Mae Murray

Vargas later did work for several Hollywood studios creating movie posters, and one such design was for the 1933 film, The Sin of Nora Moran, starring Zita Johann.  Johann, an Austrian American actress is best remembered for her role opposite Boris Karloff in the 1932 film, The Mummy.

Other well-known actresses painted by Vargas included Ziegfeld’s wife, Billie Burke, silent screen actresses Bessie Love and Nita Naldi, and 1950’s sex symbols Mamie Van Doren and Marilyn Monroe.

Florenz Ziegfeld’s second wife, actress Billie Burke
Bessie Love, silent screen star
Nita Naldi, also achieved silent stardom
Mamie van Doren, Marilyn’s competition
Marilyn Monroe

During the 1940s, Esquire magazine featured many of the Vargas pin-ups, some of which I’ve featured below.  In 1959, Playboy magazine magnate, Hugh Hefner, began using Vargas’ work, which will be featured in a separate Keith’s Theatre column.

Alberto Vargas died on December 30, 1982, in Los Angeles, California.

Wikipedia’s biography of Alberto Vargas can be found at:  https://en.wikipedia.org/wiki/Alberto_Vargas

Until next time…

From March, 1945 “Esquire” magazine
From November, 1945 “Esquire”
From February, 1945 “Esquire”
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Hollywood, Broadway & More! Memorial Miscellaneous Sex Symbols Social Media

Keith’s Theatre, 4/26/25

(Spirits conjure up memories of gallery daze, Erté & artist LeRoy Neiman)

What spirits have been haunting me lately?

Many! Read on to find out more…

As a person matures, they start a mysterious rewinding process, much like birth-in-reverse, and ghosts from the past leap out from every nook and cranny.

This past week, thanks to such forces, I relived my life in San Francisco during the 1980s and 90s.  At the time, I was employed in the commercial art world, installing art exhibitions at the Dyansen Gallery chain.  I traveled a lot on the West Coast between Beverly Hills, San Diego and Maui, where we operated four different galleries, but I was typically stationed at Dyansen Gallery in San Francisco, hanging our many Erté art retrospectives.  Erté had become the poster child for the Art Deco movement, was incredibly prolific and was well into his 80s at that time.

Installing Erté’s artwork was no small feat.  During his eight decades of life, he’d produced a plethora of original gouaches, a multitude of lithographs & serigraphs (silkscreens), as well as several bronze sculpture collections.  It was an incredibly lucrative business whereby many art dealers (as well as Erté) grew fabulously wealthy.

Arranging Erté’s bronze sculpture collections on their signature black lacquer pedestals became my favorite part, as well as the sculpture’s precision lighting.  This was still the era when halogen lighting was state of the art, and it predated the LED lighting that galleries currently use. 

Halogens were expensive to operate and generated a great deal of heat.  My favorite bulbs quickly became 50-watt PAR 36s which came in wide flood, flood, spot, as well as pin-spot versions.  These bulbs were installed in metal casings that plugged into tracks which were mounted in a steel framework known as Structura, manufactured by the Italian company, Targetti. 

Such track lighting was able to achieve dramatic effects on art which has never been equaled to date.  Structura by Targetti was and still is, the definitive method for lighting artwork, not yet surpassed.

Q50 MR16 halogen lights were the next gallery fad.  They were cheaper to use, and their burn time was significantly longer.  The problem with these bulbs – as they aged, they developed an annoying yellow cast, not at all flattering for showcasing art.  To combat the issue, General Electric developed their “Constant Color” which had a silver coating on back of the bulb, thus preventing the dreaded yellow glow that was toxic when selling expensive artwork.  As the GE brand was pricier, many galleries opted to put up with the ever-present yellow haze generated by the standard Q50 bulbs. 

My lighting memories (thanks to the invisible forces at work) morphed into recollections of some of my favorite exhibitions and artists, many of whom it was impossible to display in a negative light.  LeRoy Neiman, (1921-2012), was one such master, and his original paintings, pastels and line drawings once graced Hugh Hefner’s Playboy Clubs. 

Cigarette Girl, 1959
Zsa Zsa, 1983
Bunny Pool, 1963

I recalled in early autumn, 1989, about one month before San Francisco’s infamous October 1989 earthquake, when one of my most memorable shows took place.  It was the LeRoy Neiman exhibition of original Playboy Club art.

It was virtually impossible to display Neiman’s work in a negative light.

The artist was an imposing, impressive figure I might add, who towered above me at well over 6 feet and was always sporting his trademark handlebar moustache.  It was quite a sight and one I shall never forget.

Sinatra, 1967
Hef and Bunnies, 1963
Clark Street, 1955
Roulette, 1969
Mallet Man, 1964

Neiman’s works are pictured below from the book, LeRoy Neiman Five Decades.  A biography of Neiman can be found on Wikipedia:  https://en.wikipedia.org/wiki/LeRoy_Neiman

I can feel more ghosts in the queue just waiting to confront me, including that of artist and humorist, Charles Bragg (1931 – 2017), that Dyansen carried exclusively for many years, as well as pin-up artist, Alberto Vargas (1896-1982) who we didn’t represent. 

Those are stories for another day.  I’m exhausted from communing with the dead and need a week’s rest.

Until next time…

Beatles, 1966, LeRoy Neiman
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Hollywood, Broadway & More! Miscellaneous Sex Symbols Social Media

Keith’s Theatre, 4/19/25

What’s going on in the world this week? A lot of it I’d rather forget about…

Lots of people up in arms about who said this, who said that, but that’s what makes the world go round, don’t ’cha know…

Those struggling to hold onto power or the outsiders waiting patiently for just the right moment to pounce and strike their prey…

Here in the U.S., opposing political camps choose to go to opposite corners of the boxing ring after doing extreme battle, then take a quick break before the next round begins…

Kind of like that all over the world, don’t ’cha think?

Take a gander at France…where the leading political candidate with a huge following, Marine Le Pen, just happens to make a grave mistake no one with political aspirations would dare ever make, and then the proverbial you-know-what hits the fan.  Hooey!

A jarring revelation just arrived from the United Kingdom (land of our British colonizers), where their Supreme Court decided what a woman is.  Let me repeat that…they’ve issued a proclamation about what a woman is!

Oh, goody, goody! Thanks for the big update…as if I didn’t already know!

Of course, everyone (and their cousin Ethel) weighs in on the issue, so oodles of video footage follow their Supreme Court’s ground shaking verdict. 

Seems we’ve all fallen into a somnambulist dreamworld where up is down and right is actually left, and men suffering from situational transsexuality are really women…

Have I just coined a new term for the psychobabble crowd? Situational transsexuality? Congratulations to Keith’s Theatre for a job well done!

Let’s change the channel, shall we? I feel like talking about something else now.

Blaire White’s channel is enormously funny, and she’s usually spot-on, but Blaire can make mistakes, and I think she’s dead wrong about Dylan Mulvaney.  Dylan’s a work in progress, girl, not frozen in time and space.  TikTok’s in its own little universe, don’t ’cha know, not at all like real life, so let’s give Dylan a break since she’s in a state of metamorphosis…

Somehow during all this madness, I found myself researching Hollywood’s most enduring marriages this week.  These statistics were found on https://stacker.com/

Art & Lois Linkletter 74 years

Bob & Dolores Hope, 69 years (though no official record can be found of Hope’s 2nd marriage)

Kirk Douglas & Anne Buydens, 64 years

Steve Lawrence & Eydie Gormé, 55 years

Joanne Woodward & Paul Newman, 50 years

How’s that for longevity in marriage? Of course, with the good news goes the bad, and there was a plethora of multiple marriages I just had to rant about.  Some of the culprits like Gloria Swanson and Zsa Zsa Gabor eventually stayed with their final spouse (or perhaps died before they could get to divorce court), but others struck out every time (Elizabeth Taylor and Lana Turner come to the forefront).

Zsa Zsa Gabor
Gloria Swanson
Elizabeth Taylor
Lana Turner

There’s something intrinsically exciting about zeroing in on the multiple alliances of Hollywood celebrities from the past – Gloria Swanson’s six husbands, Elizabeth Taylor’s eight marriages to seven different men (Richard Burton twice), or Zsa Zsa Gabor’s nine husbands.  And perish the thought I mention Lana Turner’s seven husbands or her cadre of lovers, one of whom was gangster Johnny Stompanato, stabbed to death by teen daughter, Cheryl Crane. (Keith’s Theatre feature from December 2023).

“Did these glamourous ladies ever find that one true love we’re all searching for?” Sniffle sniff…

Perhaps the answer was yes for Gloria Swanson and Zsa Zsa Gabor.  They both were, after all, still married at the time of their deaths.  One can only speculate with Lana Turner and Liz, who both died husbandless and quite alone. 

Elizabeth Taylor once said of Richard Burton, to whom she was married twice, “All the men after Richard were really just company.”  Apparently, Liz had completely forgotten about third husband, producer Mike Todd, who was killed in a plane accident on March 22, 1958. According to a July, 1958 article from Canadian publication, Liberty, Liz was billing herself at the time as Mrs. Michael Todd and the schmaltzy article, as told to Joe Hyams, was titled, “I’m saying goodbye to the movies!”

Until next time…

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Hollywood, Broadway & More! Miscellaneous Sex Symbols Social Media

Keith’s Theatre, 3/28/25

(Move over Hopper & Parsons there’s a new witch around)

I was expecting the worst when I watched the Dylan Hour.  The worst, though, never came. 

Instead, I got a different look at the TikTok social media star that’s completely changed my mind.

I’m well-acquainted with the genre since I grew up watching Arthur Godfrey, Steve Allen, Jack Paar, Johnny Carson & Merv Griffin.  The lone talk show hostess arrived in the form of Virginia Graham, and I was a big fan of Girl Talk.

That type of format isn’t easy…

But Dylan more than rose to the occasion, looking relaxed, flawless and glamourous during the entire podcast, while gracefully modeling to-die-for clothing, and showing off her perfect hair and makeup.  (For the ladies in the audience, I’ll swear she’s a junior!)

It’s clearly projecting female. C’est fastoche! (as they say in France)

Most consider the starting point for Mulvaney’s rise to fame to be the TikTok videos chronicling her year-long transition to womanhood.  Next came that infamous interview at the White House with President Joe Biden, where Miss Mulvaney extolled the virtues of transitioning children.  Whether Joe Biden was completely aware of what was happening is anyone’s guess.

One can only hope Dylan’s come to her good senses about the advisability of children bypassing Tanner Stage 2 of adolescence. 

Next came Dylan’s Budweiser Light debacle, where she became poster child for the “Go Woke, Go Broke” mantra.  A lot of bad publicity followed, and more recently, Dylan’s new book, “Paper Doll,” was released to mixed reviews.

All in a day’s work for the indomitable Miss Mulvaney, who’s at the top of her craft at being the absolute center of attention, something a lot of Hollywood starlets would murder to find the secret for!

On one podcast, Dylan featured a handsome, young 21-year-old British actor, Joe Locke.  The two were sharing cocktails and whipped cream.  At one point, Dylan grabbed the Redi Whip container and squirted it directly into her mouth. 

We all get that one, Dylan! Especially Joe Locke…

I watched another episode with Dylan’s father, who’d popped up from San Diego, where presumably young Dylan was raised as a little boy.  I can see the family resemblance, since Dylan’s inherited Pop Mulvaney’s spunky entrepreneurial personality, though it’s hard to imagine Dylan ever being a little boy. 

That’s how convincing she’s become…

I see all kinds of possibilities for this podcast, and sincerely hope it continues.  It’s clear Dylan Mulvaney is here to stay, and will be around Hollywood for a long, long time.

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Memorial Miscellaneous Sex Symbols

Keith’s Theatre, 2/28/25

Fashion Designer Erté in Hollywood!

What French couturier came to Hollywood to design for the motion picture industry, at the request of director Cecil B. DeMille?

It was none other than Erté, whose real name was Romain de Tirtoff.  This prolific couturier, raised in the Russian aristocracy, emigrated to Paris and worked closely with French designer Paul Poiret.  The talented Erté later signed a contract with Harper’s Bazar, and provided a plethora of covers for the popular Hearst magazine.

Erté was summoned to Hollywood by director DeMille for a prospective film, but when publisher William Randolph Hearst heard of the meeting, he grew uneasy.  Hearst then arranged for Erté to design for Cosmopolitan Pictures, which was dedicated to producing the films of Hearst’s mistress, Marion Davies.  Erté obliged and went on to design both sets and costumes for the 1920 film, The Restless Sex, starring Miss Davies. 

Hearst hadn’t forgotten his wife, Millicent, though.  Mrs. Hearst, in addition to Hearst’s mistress, also loved beautiful clothes, so Erté created several designs in her honor.  The entire affair was well publicized to reassure the public of Mr. Hearst’s respectability. 

Erté in his youth

Hearst later recommended Erté’s talents to his close friend, Louis B. Mayer, of MGM Studios.  Mayer had Erté in mind for a 1925 production, to be entitled simply, Paris.  Erté was promised creative control over much of the production, but when the final shooting script arrived, he was incensed since it portrayed Parisian life in what Erté considered a completely objectionable manner. 

To make matters worse, one of the top stars at the time, Lillian Gish, got into an “artistic disagreement” with Erté over her proposed costumes for La Bohème.  According to Erté biographer Charles Spencer, Gish felt that Erté’s calico creations would look “too new” on the silver screen and insisted he use worn silk.  When Erté vehemently refused, Gish sought assistance from MGM’s wardrobe mistress, who dutifully complied.

Hopelessly European and well into his 30s at the time, Erté grew disillusioned with Hollywood and in late 1925, returned to Paris, but not before designing costumes for several MGM films, notably the silent version of Ben Hur.

The sketch for Miss Myers’ costume- later brought to life as “Iris” bronze
Erté with actress Carmel Myers
Number ‘2’ that was later realized as the bronze sculpture “La Plume”
Letter ‘L’ that was later brought to life in bronze as “La Femme à la Panthère”

Fast forward decades later, and Erté’s career in the U.S. was resurrected during an Art Deco renaissance.  His friendship with art dealers Eric and Salome Estorick paved the way for his designs to become successful in the commercial art world.

I was a part of this Art Deco renaissance and from 1985 – 2000, worked for Dyansen Galleries, the American company responsible for publishing several Erté sculpture collections.  I’ve attended countless Erté exhibitions and handled a large volume of Erté’s works, including original gouaches, graphics, and innumerable bronzes, which my employer published.

Having been constantly surrounded by Erté’s art, it never mattered that I never got the chance to meet the man.  Through his countless designs produced over the years, I felt I already had.

I knew Erté through his genius, which was considerable. 

Coming soon…all the gossip about the art world!

Erté’s “Reflections”
Erté’s “Fish Bowl”
“Bubbles”
“The Portrait” (surely a nod to Mae Murray)
“Manhattan Mary”
Categories
Hollywood, Broadway & More! Memorial Sex Symbols

Keith’s Theatre – 2/7/2025

(Move over Hedda Hopper, Louella Parsons & Adela Rogers St. Johns)

I often find myself on YouTube (since I have a Roku box, directed to my TV screen), watching a barrage of videos from all manner of content creators.  Just can’t imagine how anyone could bear to watch an itsy-bitsy phone for any length of time.  That would ruin it all for me since I’m hopelessly addicted to this medium…

Especially so when a classic film is being shown, and such was the case this week watching Circe the Enchantress on YouTube (with Czech intertitles & Spanish subtitles).  I had to settle for the Czech/Spanish version since no one’s posted the complete film with English intertitles.  Reference please:

If you don’t understand Czech or aren’t fluent in Spanish (como yo), watching Mae Murray (aka the Princess Mdivani) emote is likely all you’ll need.  Very glad I watched this since it showed me that she was truly one of the greats of the silent era.

Circe, the Enchantress, 1924, starring Mae Murray

I also suggest watching the film jewel in Mae Murray’s crown, 1925’s The Merry Widow, directed by Eric von Stroheim, for anyone who wants to see “poetry in motion.”  Von Stroheim brought out a unique quality in Mae which resonated with filmgoers worldwide.  Reference please this link and incidentally, Miss Murray doesn’t appear until almost 11½ minutes into the film.  Certain there were long arguments between said actress and director von Stroheim about that decision!

1925: Mae Murray (1885 – 1965) stars as dancer Sally O’Hara in the film ‘The Merry Widow’, directed by Erich Von Stroheim for MGM.

The 1950 film, Sunset Boulevard, simply had to be based on Mae Murray’s life.  Sunset Boulevard’s Norma Desmond is the essence of Mae Murray, and since reading Michael G. Ankerich’s biography, “Mae Murray, the Girl with the Bee-Stung Lips,” any lingering doubts I had were permanently dissolved. 

These two women are one and the same.

The Ankerich book is quite well-researched, and next to “Swanson on Swanson,” one of the best accounts ever written on the silent era.  The Jane Ardmore 1959 book, “The Self-Enchanted,” which regrettably relied on the recollections of Mae Murray (still alive and kicking at the time), was the only biographical account I’d previously digested, until the Ankerich offering some 50 years later. 

“Self-Enchanted,” indeed! Clearly more “self-deluded,” which likely explains why Mae was found on the streets of St. Louis, Missouri in 1964, aimlessly wandering about in a state of confusion at age 79.  Reference please, this article: 

https://news.google.com/newspapers?id=YrMyAAAAIBAJ&pg=990,1605441

Hate to think of what’ll happen to me then.  Wait, that’s only 8½ years from now, perish the thought!

Other happenings this week…got to brush up on my latest Hollywood gossip.  Shall I do another movie review? NO! Let’s not and say we did, n’est-ce pas? Think that my Emilia Pérez review from last week will tide me over for quite some time, thank you very much.  

But really, I just gotta trash some other film since there’ve been so many recently.  Guess I’ll just peruse the Oscar nominations and come up with a sufficiently delectable menu.  Don’t cha think?

My mind wanders, or haven’t you noticed? Guess it’s my age…going to be 71 in June.  One of my co-workers not-so-lovingly disparaged my mind as being a “senior citizen brain-dump!”

Evil woman…

Where oh where is Miss Marion Davies when you need her most? WRH’s mistress was much to my dismay (according to Adela Rogers St. Johns, a longtime Hearst columnist), the very person who had NOT wanted dear WR to divorce Millicent (Mrs. Hearst).  I’d always heard differently, all those many claims and memoirs stating it’d been Millicent Hearst herself, not Marion Davies, that had made all the fuss, the former having been so staunchly Catholic. 

Guess time eventually reveals all truths and guess I’ll find out soon enough when it’s time for me to cross over. 

Don’t cha think, or don’t cha? Until next time…

Categories
Hollywood, Broadway & More! Memorial Sex Symbols

Marilyn Monroe – Sex Symbol Extraordinaire

Just saying “Marilyn,” or even the word “Monroe,” has always been enough to invoke this star’s beauty, glamour and essence.  Monroe was, after all, perhaps the greatest sex symbol of all time and she’ll always remain with us in one way or another.

On Saturday, August 4, 1962, sometime during the late evening hours, Marilyn Monroe expired, and the coroner’s report stated it was suicide.  Monroe had been discovered dead by her physician who’d been called in the early Sunday morning hours by her housekeeper at the time. 

A 1949 pose Marilyn did for “Playboy” magazine, a calendar fave!
A few months after the Feb. 1952 calendar appeared, Marilyn’s first “Life” spread came!

What really happened the previous night, August 4, 1962? Only Marilyn Monroe herself knows the truth.  Innumerable theories abound, many claiming to be based on rigid scientific principles, or so-called eyewitness accounts and most are likely just hearsay.

w/husband Joe DiMaggio, baseball star
A later husband, playwright, Arthur Miller

People were clearly aware that Marilyn was unstable.  The star reportedly had a bizarre upbringing by a schizophrenic mother and was in and out of foster homes and orphanages as a child.  Her intense beauty and sexuality often attracted the unwelcome attentions of predatory men, which does not lead to later adult stability.

Marilyn’s roller coaster ride of emotional highs and lows, extreme melancholy and previous attempts at self-harm laid the groundwork for what followed.  It surprised no one, then, when the news came out about the suicide.  NBC, CBS and ABC were all over the Monroe debacle.  It was big.

From Canadian (Montreal, Quebec) magazine “Biographies”

The public initially accepted the suicide story but years later came those peddling tabloid fodder.  They all cried murder, yet not one has offered definitive proof to date.

So, Marilyn Monroe, who died by whatever manner on August 4, 1962, became the larger-than-life legend that she has.  Marilyn will likely be remembered as the most important sex symbol of our day.

From hit film “The Seven Year Itch”
From April 7, 1952 “Life”
Photographer Philippe Halsman shot celebs jumping in 11/9/1959 “Life” edition